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does an exceptional job acting and narrating (in the most peculiar manner I have seen since SUNSET BOULEVARD) and it's a shame his self-destructive habits have hurt his career-he really is a very talented man. Val Kilmer is pretty good as his gay detective friend and the rest of the class does just fine. However, the biggest star of the film are the writers who manage to provide tons of twists and turns and odd moments (I especially loved the scene with the finger and the dog-I won't spoil it by saying any more). While not every twist was believable, there were enough wonderful moments to make you ignore the parts that fell somewhat flat. This is a good film for people who are looking for a very gritty mystery comedy (that's an odd combination isn't it?) or somewhat who is just tired of the 'same old, same old' and is looking for a change.

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But whatever you do DON'T watch this with the kids around!!ДЄ surprisingly inventive little comedy/mystery movie with a tightly-written script and a high ratio of successful laughs. Much of the film gets by alone on the charisma of Robert Downey Jr., who's the most assured and comfortable I've ever seen him I'm no fan of his arrogant character in the IRON MAN films but he gets the balance between vulnerable and cocky just right here and it's my favourite performance from him yet. The plot is a complex, noir-ish little murder mystery in which Downey Jr. (a thief masquerading as an actor) and his buddy, Val Kilmer (playing a gay cop) find themselves out of their depth as corpses pile up and hit men seem to pursue them at every interval. In many ways it's a riff on the classic buddy-buddy cop movie like LETHAL WEAPON with a few twists and modern spins on the formula to keep it fresh.

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Shane Black, who writes and directs, is a seasoned professional in this genre and his quiet assurance results in a film that it's difficult not to like.

#Kiss kiss bang bang full movie professional.Sure, they used camera angles, trampolines and wires, but you try it and see how easy it is. Most of the stunts in classic kung-fu movies, starring such stars as Bruce Lee and Jackie Chan, really happen. and Errol Flynn did their own stunts and made sure you could see them doing them. Stars like Buster Keaton, Douglas Fairbanks Sr.

In past decades, studios went so far as to run fencing classes for swordfights. The fight construction is the same with most modern action movies. He succeeds in this movie by essentially acting in a movie of his own. I hasten to say this is not criticism of John Travolta. There is no sense of continuous physical movement taking place within a defined space. The shots of him involve movement, but in bursts of a few frames, intercut with similar bursts of action by his attackers.

We see a dizzying cascade of images, but here's a funny thing: We don't see Travolta completing many extended physical movements, and none involving any danger. We don't miss much in the way of continuity, because it's pretty much glued together a frame at a time. Now we go through the scene a frame at a time. That's a little joke reminding us of ' Pulp Fiction,' and the last thing you should do is remind the audience of a movie they'd rather be home watching. He's in superb condition, especially for a guy whose favorite food is Cheese Royales. One slight miscalculation, and he's dead. He can duck, jump, hurdle, spin and leap. He can deal with several enemies at a time.